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Dava delight
Zipping across the island in a hunt for fresh tomatoes was not
something William Gumport envisioned lying ahead when he jetted
into Bali last July to head Ayana Resort’s upmarket Dava restaurant. But he has found himself making a mad moped-dash for them,
along with a sprinkling of other items, as he settles in to life
as a chef de cuisine on the sometimes unpredictable island. While
Bali offers plenty William was expecting, tussling with suppliers
was not one of them. “That’s one thing I had no idea about. I got over it pretty
fast -- I’m okay with that challenge,” says unflappable William.
We’re chatting at an intimate Dava table jutting into a pond
punctuated with lotus flowers shuttered against the dusk. A
breeze from Jimbaran Bay below stirs the leaves of surrounding
trees. The chef, who has served time in eateries in Las Vegas and New
York, jumped at the opportunity to work in Indonesia, despite
never travelling here before. William’s Asia experience extended
to living in China for a few months when he was younger with his
family and a trip to Japan. “I had never thought of Indonesia until the opportunity y came
about and I’m very happy I made the leap,” he says, adding that
he had been passively looking for work in Asia for two or three
years. “My concern honestly was with the people and attitudes and
what I would be running into, basically because I didn’t know any
Indonesians... I came with an open mind and these people have
totally won me over.” On arrival, William decided to eschew the usual Bali expat
ghettoes and set himself up in an apartment at nearby Kedonganan
beach. “I definitely wanted to be able to immerse myself a little bit
more into what’s going on around here and down there is mostly
Hindu. It’s very representative of the Bali population so I’m
happy with it.” In the name of research, William has stuck his nose into
Denpasar’s main market as well as a slew of local ones, he’s
popped into the fish market at Kedonganan and even swept through
the aisles of Carrefour, which does a good range of produce from
around the archipelago. Essentially William seeks to use the “incredible” local fruit,
vegetables and seafood along with imported products such as beef,
lamb, vinegars and olive oils to create a menu international in
flavour, but not technically fusion. “If I do something Asian, I kind of stick to those flavour
profiles. If I do something European, I kind of stick to that
profile,” he explains. “I do believe in classics, in classic
combinations. I respect tradition.” William’s next challenge is to source more interesting produce
from Bali’s smaller farms. He has a series of meetings lined up
in Bedugal in the days ahead to get to know some of the key
suppliers there. “They have all these resources. You just have to go out and
kind of adjust a little bit but it’s all there for the taking,”
says William. “I really am trying to use as many Indonesian
things as possible but I’m trying to put them into a context that
Westerners and Japanese would be familiar with. Using those
ingredients just makes sense.” The local market is already providing rich threads for the
fine tapestry the chef weaves into his six-course degustation
menu, which William aims to change weekly. The menu follows a standard routine: Amuse bouche, followed by
an appetizer, a seafood, a red meat, then two desserts.
“I kind of think in a traditional Western way about how to fill
those in. It could be the ingredients, something that I’ve seen,
it could be a technique or a dish that I’ve done before that is
inspiration -- it could be a number of things.” The amuse bouche on tonight’s degustation menu—the most
European one William has done so far—is a case in point for both
local sourcing and using a technique William has been
experimenting with: local beetroot gazpacho with Dijon mustard
ice cream and a drizzle of hazelnut oil. “Basically I wanted to do a cold soup, ice cream sorbet
combination because I’ve been doing that with a couple of things,
and this is a combination that I know and I like. We found some
beets that were grown here and Dijon mustard is a flavour that is
not indigenous to here, but it’s similar to Japanese wasabi, if
you can understand that, so it’s something that [Japanese guests]
can relate to,” he says. The appetizer of calamari is also local, and amazingly tender,
served julienned after being marinated in preserved lemon,
parsley and herb oil, alongside potatoes crushed with a touch of
mayonnaise and garlic and romanesco sauce. The warmed-till-rare yellowfin tuna up next is another local
item, and delectable—“Tuna is like a luxury item in the United
States so I was excited to see that”—and the beef following
allows William to use two local ingredients he’s loving: ginger
flower and tamarind. It’s slow-cooked wagyu cheek, glazed in tamarind with wilted
spinach, mango chutney, white radish and the flower, which
William had read about but never used before coming to Bali.
Traditionally the Balinese use it in a sambal, chopped and mixed
with chillies and shallots, served alongside meat and fish. “I use it more in like a Western way, where you cut it really
fine and you sprinkle it on things, or use it to infuse broths,“
William says.
The plentiful tamarind on the island has also captured
William’s imagination. “You can get it in the United States but here you walk outside
and it’s on the tree, and it’s like, wow! I need to think of some
things that I can do with this!” Dessert begins with a beautifully caramelised pineapple tart
tatin served with banana ice cream subtly flavoured with rum. And
Dessert Number Two—William concedes that a “pre-dessert” is
really just another dessert—is a parfait of chocolate mousse,
coffee gelee, chocolate streusel and rum cream. How does William keep his work exciting day in and out? “For
one, it’s exciting driving my moped every day -- near death
experience keeps you alive. But it’s searching out these places.
Meeting these people. Meeting other food professionals. It’s
learning a new language. You’re only bored if you’re lazy.”
It looks like Dava is going to be kept exciting for a long time
to come. |
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All material copyright Samantha Brown 1997-2005 | ||||||||||||||
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