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Korean thriller, Hollywood style
Shiri A blockbuster in the best (or worst) of Hollywood traditions,
Shiri is a fast-paced thriller with plenty of style,
intrigue and explosions. While the plot is at best erratic and at
worst occasionally indecipherable, there are enough solid scenes
and emotional drama to maintain a momentum of tension and air of
mystery. The film kicks off in gruesome fashion, with scenes from a
North Korean elite military training camp in 1992. Whether they
are true North Korean militants, or an independent hardline group
working towards their own agenda at this stage is unclear.
Prisoners are murdered as part of the soldiers' brutal training
programme - the brutality seems especially highlighted while snow
falls softly around the troops. Star student Hee, who shoots with incredible precision, is
sent to the South where her mission seems simply to be to kill
South Korean agents. Cut to 1998 and enter hero and special
agent, Ryu (Han Suckyu) who along with his partner Lee attempts
to foil a new operation that suggests Hee is back in action.
Eventually the audience learns that Hee is from a group
frustrated by the slow pace of reunification. Led by Park (Choi
Minsk), Ryu's old nemesis from a failed hijacking attempt, the
group is attempting to provoke a war between the two sides in
order to hasten reunification (never mind the logic there). To do this, they get hold of ten capsules of CTX, a
nitroglycerin-like substance that self-detonates when exposed to
both heat and light (just like the nitroglycerine in Vertical
Limit - sigh - seen it all before), killing all within a
massive radius. But attempts to foil the group by Ryu and Lee
keep going wrong, until it becomes obvious there is a leak among
the special agents. At the same time, Ryu has decided to marry
his girlfriend Hyun, an aquarium and fish shop owner with a
former alcohol problem. The fish theme persists throughout the
film, and allows for some nice scenes, such as the agents' office
filled with calming tanks. Despite the political undertones (that those in the North are
starving while the South is enjoying hamburgers, cheese and
coke), Shiri makes clear that it is much more a study of love,
friendship and trust under circumstances that make allegiences
necessary but fraught. It's disappointing that the boundaries are
pushed through situations rather than any semblance of
sophisticated dialogue. Allowances could be made that something
is lost in the translation as the English subtitles are
startlingly poor, but even that seems unlikely. The main actors are faced with a challenging script and put in
very competent performances, pushing emotions that aren't often
seen done well in this genre. Lee's devastation is beautifully
portrayed as he finds out who the leak is, while Hyun shows
versatility and grace in her role. The scenes with these two
together sparkle - but they are quickly overshadowed by
heavy-handed action scenes. There are too many holes and convenient plot devices to start
listing - particularly without giving the ending away - so if
you're planning on catching Korea's most expensive and
financially successful film ever, be prepared to seriously
suspend your disbelief. (But to name just one: Except for
providing a poignant ending, what's the point of the character
who lives in care by the sea? Oh, and just one more: It was Lee
who gave Hyun the CD, right? So how could Hyun have been the one
keen on him? Too fluky!) In reward (or not) you'll walk out knowing that when it comes
to making a thriller, Korean film-makers are certainly on par
with the best from Hollywood, while being able to maintain a
style that's quirky and individual. |
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All material copyright Samantha Brown 1997-2005 | ||||||||||||||
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