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Scaling new heights
When we were kids, we believed there was a guest book hidden at
the top of the Sydney Harbour Bridge
to sign your name in if you managed to
make the illegal climb up. Also known as the Coathanger, the world’s largest single span
bridge was there in the
background as we kids threw up on the rollercoaster at Luna
Park, the famous fun park
nestled beneath its northern pylon. We passed beneath it on the
compulsory high school
harbour cruise - a rite of passage for any self-respecting
teenager - and it cast an
appropriate shadow for romantic rendezvous later on in life. But now some of the mystery has dissipated. Over the past 18
months, the top of the
bridge has been accessible to anyone with a sense of adventure -
and without a serious
fear of heights. Some 250,000 people have clamoured up and back
to date. On a recent trip back to Australia we noticed groups of
moving specks along the arches on
the way home from the airport. They were the groups of twelve or
so people who leave to
make the climb every ten minutes - traipsing over our precious
bridge as if it were a mere
tourist attraction! After the initial indignation wore off, we decided we had to
do it too. A week later we are going through the comprehensive
preparations that BridgeClimb, the
company which runs the climbs, have designed. We’re
breathtested, briefed, clothed, and
taken through a practise run with our harnesses on a replica of
a portion of the bridge before
being let loose with our guide, Michael, who asks us if today is
our first climb. “That’s good,” he jokes as we chorus a yes. “It’s mine
too.” The clothing is an exercise in entanglement. Nothing can be
dropped from the bridge onto the
traffic below for fear of scaring – or killing - a driver.
Glasses
are roped in, two-way radios are buckled on, hankies on elastic
are stuffed up sleeves and even
jackets are folded safely into little custom-made bags
attached to belts. My partner asks the guide if he needs a
tether for his false teeth. It’s time to do it. Walking single file along the narrow
walkway heading to the pylon, I
suddenly feel like we’re going way too fast as I look the twenty
or so
metres through the holey metal grille below me. Norma, a
Scottish woman in her fifties trailing me,
starts chatting about her husband and a hospice they
volunteer for back in Scotland. They’re trying to raise money by
doing this. “Just tell me if I’m talking too much,” she sings out
cheerfully. “I always talk when I’m
nervous!” “Shut up! Shup up!” I scream inside my head. I discover I
prefer silence when I’m nervous. Paul Cave, who opened BridgeClimb Sydney in October 1998,
says about 30 per cent of climbers
suffer from acrophobia, an abnormal dread of being in high
places, but remarkably few are unable to “conquer the bridge and
overcome their fear”. “We put a lot of effort into safety,” he says. “I thought
we’d be confronted with people
freezing when they get up there, but we only get probably one or
two people per month who pay but can’t commence the climb.” I’m probably not quite one of those 30 per cent but am rather
proud of myself when my knees stop
shaking, the sweat on my brow evaporates and I can
push on. A series of ladders are climbed to reach the base of the
bridge span itself, and at the top of
this, the walkway becomes wider - and opaque, thankfully - and
it’s plainsailing along the gentle slope to the summit. Michael regales us with stories and statistics via the radio
as we stroll in the late afternoon
sun. Over 52,800 tonnes of steel covered in 272,000 litres of
paint were used to build the arch and approach spans; 1,400
people were employed on the project
during the eight years of its construction; the length of
bridge, including approaches, is 1,149 metres; the water when we
get to the top will be 134 metres
below us; and approximately 6 million rivets hold
everything together. One of the folk tales my partner has heard is that the
construction workers would hold the
red-hot rivets in their pliers on boats on the water, and toss
them up to workers on the bridge – who would catch them in their
pliers before driving them in. As the slope flattens out, the breeze is surprisingly soft
and warm, and the colours of the
harbour become cinematically intense as the sun slides towards
the blurry Blue Mountains on the horizon. The Olympic Stadium at Homebush Bay can just be seen to the
west, while to the east, the harbour
ebbs around dozens of bays and coves and flows into
the deep blue of the Pacific. Closer at hand of course are the white sails of the Opera
House - now there’s an idea for an
abseiling entrepreneur - and the harbour ferries, ploughing
their way from Circular Quay to Manly, Balmain and other spots.
No cameras are allowed up but Michael takes digital snaps of
individuals and the group at the
summit. It’s exhilirating and romantic as well. Cave says more than
100 marriage proposals have so far
been made at the summit. “I think people just get so emotional … they’re moved by the
view and the euphoria. You get
people frequently moved to tears, or quoting poetry, because
they’re romantically moved.” Then the helicopters start arriving, and we feel like we’re
in an Australian Tourist Commission
advertisement or at least promoting some sort of Australian
breakfast cereal or margarine. “When there’s a good sunset, photographers come out in force
to get their shots,” Michael
explains. Then the Blackhawk arrives. “They’re practising their anti-terrorist exercises prior to
the Olympics,” Michael almost
screams into his radio. I doubt any bridge climber is going to be
a
terrorist, but I almost start to feel terrorised as it seems
like all these choppers are coming
straight for us. As we cross to the western frame, the traffic below is as
thick as Sukhumvit on a Monday morning
but moving somewhat faster. In 1995, the average daily
traffic crossing the bridge was over 150,000 vehicles. Cave spent seven years and millions of dollars refining the
BridgeClimb concept, meeting
stringent safety guidelines and gaining government approvals. An
Act of Parliament was required to change a law dictating how
close the public could get to a moving
Sydney train. Cave says he’s stopped trying to find comparisons between
climbing the Harbour Bridge and
reaching the top of the world’s other architectural wonders. “Climbing the Bridge is unique – there is no reference
point,” he says. “More than six million
people have climbed the Eiffel Tower, but you basically go up
most of the way in a lift. Fundamentally, you can’t climb
structures like this anywhere else in the
world. This is totally unprecedented.” As we return to the ground down the western frame, we feel a
little how we felt when we
discovered Santa Claus wasn’t real: there was no guest book at
the top in which to leave our mark after all. And er, no marriage proposal. Website: www.bridgeclimb.com |
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All material copyright Samantha Brown 1997-2005 | ||||||||||||||
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