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Mighty Mekong
We’re sitting on the second floor verandah of the guesthouse, a
perfect point from which to watch the traffic on the Mekong pick
up in a rush to beat
the falling darkness. Speedboats, a vivid mix of banana yellow
and blood red, skip along the river, reaching speeds of up to
eighty kilometres an hour.
Their mosquito-like drone almost drowns the soft grumble of the
wooden slowboats ploughing along more determinedly. Children play volleyball in the schoolyard below while a woman
picks herbs from her back garden in the house next door, her son
dutifully following with a black kitten clutching his forearm.
Turkeys strut like Spanish dancers around their feet. We can hear
the raspy grunting of pigs, the scrabbling of chickens, and the
wails of babies. Soldiers carrying up speakers and a generator
from the water’s edge arouse our curiosity. This is Pak Tha, a thriving village located at the confluence
of the Nam Tha and Mekong rivers. It’s a two hour slowboat ride
downriver from Huay Xai in Bokeo province, Laos. Few tourists
stay here, preferring instead to get the boat from Huay Xai all
the way to Luang Prabang, or vice versa. As word gets out about
Pak Tha, however, picturesque in its own right and a base for a
scenic daytrip to Pha Udom, things are likely to change. Upon our arrival at midday, the guesthouse owners – there is
only one guesthouse – found us from their noodle shop vantage
point. We were led to ‘Phong Sa Vat - No. 5’, as the place is
called in black magic marker on brown cardboard out the front,
and given a key to the building, probably either an old school
house or colonial government office. Painted pale green with
bright blue shutters, guests stay on the second floor where there
are three double mattresses and plenty of blankets. Conditions
are basic, with a toilet and bucket shower located outside. Following a lunch of omelette, sticky rice and a tasty red
tea, we set out exploring, and found, surprisingly for a town of
Pak Tha’s size, three very attractive wats. Reminiscent of
Vietnamese Cao Dai temples, they are colourful to the point of
being garish. Keep an eye out for the guardian dogs of one of
them: their nose hairs are spectacularly menacing. The Frenchman Francis Garnier described Pak Tha, in his Mekong
Exploration Commission Report of over a century ago, as being a
‘considerable village’. He noted that he visited a number of
pagodas here, one containing ‘a very well-made clock of such
refined workmanship as could only be found in Europe (!). This
was evidently not a local product and the Chinese script which
encircled its base made us place its origin in either Tong King
or Yunnan.’ We were unable to find the clock, but for the curious
traveller with more than a smattering of the Lao language, this
could be an intriguing project. At the mouth of the Nam Tha we watched in amazement as young
children plunged into the wild rapids, letting the water carry
them down, around and over jagged rocks. Nearby, a boat builder
was putting the finishing touches of paint to a new sampan, while
in the shallows of the Mekong, two fishermen tossed wobbling arcs
of nets into the water. For dinner, we could have eaten something substantial at one
of the thatched huts dotting the Mekong’s dry river bed, but
instead supped on thick roast bananas bought from a street vendor
for a mere 50 kip each. There wasn’t any further choice, as the
noodle shop had closed, and there weren’t any other shops along
the main street. After watching the moonrise from the veranda, we turn in
early, but as our heads hit the pillows, the first ominous notes
of an electric guitar sound. Then singing begins, and is
broadcast throughout the whole village on an exceptional sound
system. It goes on and on – and on, successfully penetrating
earplugs literally until sunrise. We eventually learn that it was
a Singha Beer singing competition. At least we know now what the
soldiers were doing. We decide to attempt finding Pha Udom, a town marked on our
map as having a population of 15,000, but about which we’ve heard
nothing. After an excellent breakfast of Lao noodle soup with
lashings of fresh herbs and chilli, we ask a boat pilot about
getting there. Eventually we negotiate for a sampan to take us to
Pak Hat, from where we can charter a jeep the rest of the
way. Crossing the Mekong into the Nam Tha is no easy manoeuvre, the
rocks the children were playing among yesterday now appearing
more fearsome. The boat pilot at the front plunges a bamboo pole
into the rapids to keep us away from the rocks, but the current
is strong, and she cries out urgently to the other driver, who
cuts the engine. The boat sounds as if it would like to split
neatly in two as it lurches forward and upwards. The pair leap
out onto the nearest rock, muscles visibly straining as they push
the boat safely away. The mist thickens as we progress, and drapes the steep
mountainsides like a motherly ghost. It’s quieter and clearer
than the Mekong, too shallow for speed boats to traverse.
Undoubtedly stunning scenery unfolds: undulating hills, sharp
mountains covered in lush forest, cultivated patches of land, the
surprising vermillion of a poinsettia tree. An hour later we
arrive at Pak Hat, our faces pink and numb with harsh cold. We find a jeep driver who’ll take us on a return trip to Pha
Udom for 30,000 kip. His jeep, with Cyrillic script curling
across the dashboard, has seen better days – possibly even a war
or two. Nevertheless, it gets us there along a good road that
snakes between huge limestone karsts which penetrate the mist and
disappear, but eventually emerge triumphant. We swerve to avoid
various animals: piglets chasing mothers with teats like bell
pulls, black mountain goats whose eyes are the colour of setting
suns, a gaggle of pure white geese. Pha Udom turns out to be a sizeable town, and from the few
signs in English around, we deduce that it has grown partly as a
result of a ‘reintegration and resettlement program’. Possibly
hilltribe people have been relocated here in an attempt to stop
them growing opium, or simply to bring them under better
government control. Although scenically located on a hill
overlooking the Nam Hat, it’s not a town for tourists. We feel
out of place drawing so many stares, so we walk through a few
streets, note the unusual plain wooden wat, and jump back into
the jeep. By mid-morning, the mist has been burnt away by the sun and
the temperature has escalated. Back in Pak Tha, we spot some
tourists who have wandered up from the day’s passing slowboat,
still moored below. Hurriedly, we grab our packs, return the
guesthouse key and make our way down to the boat. We’re back on
the tourist trail again. Information |
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All material copyright Samantha Brown 1997-2005 | ||||||||||||||
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